Music:
- – Mentorship in Game Music (Tom Salta, Connecticut/Online, 2020-Ongoing)
- – Interactive Scoring for Games (Michael Sweet, Berklee Online, 2016)
- – Music and Sound for Motion Picture (Oscar García, Fenavid/Bolivia, 2012)
- – The Art of Music in Film (Brane Zivkovic, Universidad del Cine/Argentina, 2010)
- – Audio Post-Production for Film and TV (Pablo Isola, Tecson/Argentina, 2010)
- – Music Theory (Bellas Artes Institute, Bolivia, 1995-1999)
- – Violin Lessons (Magali Pinto, Instituto de Bellas Artes, 1989-1999)
Production / Audio Engineering:
- – Audio and Music Production Degree (EMBA, Argentina, 2005-2007, 2010)
- – Orchestral Mixing (Jake Jackson, Thinkspace Education/Online, 2016)
- – Mastering (Toto Strapporava, Tecson/Argentina, 2010)
- – Executive Production for Music (Alberto Horst, Inartec/Argentina, 2010)
- – Mastering I (Pablo Rabinovich, AEA/Arg/Bolivia, 2015)
- – Live Sound, Recording and Production (Alvaro Villagra, AES/Argentina, 2010)
- – Dynamic Processors I (Pablo Rabinovich, AEA/Arg/Bolivia, 2015)
- – Dynamic Processors II (Pablo Rabinovich, AEA/Arg/Bolivia, 2015)
- – Music Management and Production (Natalia Pizzuto, Centro Simon I. Patiño/Arg/Bol, 2013)
- – Economics for Art and Culture (Natalia Pizzuto, Centro Simon I. Patiño/Arg/Bol, 2012)
- – Production of Cultural Events (Natalia Pizzuto, CAINCO/Arg/Bol, 2011)
- – Audio Analysis Tools (Pablo Rabinovich, AEA, 2014)
- – Cultural Marketing (Natalia Pizzuto, Centro Simon I. Patiño/Arg/Bol, 2012)
- – Production and Recording (Miguel Zagorodny, AES Argentina, 2010)
- – IV National Encounter of the Audio Engineering Society (Argentina, 2010)