MUSIC / MUSIC FOR MEDIA:

  • Interactive Scoring for Games (Michael Sweet – Berklee Online – 2016)
  • Music and Sound for Motion Picture (Oscar García – Fenavid/Bolivia – 2012)
  • The Art of Music in Film (Brane Zivkovic – Universidad del Cine/Argentina – 2010)
  • Audio Post-Production for Film and TV (Pablo Isola – Tecson/Argentina – 2010)
  • Music Theory (Bellas Artes Institute – Bolivia – 1995-1999)
  • Violin Lessons (Magali Pinto – Instituto de Bellas Artes – 1989-1999)

 

PRODUCTION / AUDIO ENGINEERING:

  • Audio and Music Production Degree (EMBA – Argentina – 2005-2007, 2010)
  • Orchestral Mixing (Jake Jackson – Thinkspace Education/Online – 2016)
  • Mastering (Toto Strapporava – Tecson/Argentina – 2010)
  • Executive Production for Music (Alberto Horst – Inartec/Argentina – 2010)
  • Mastering I (Pablo Rabinovich – AEA/Arg/Bolivia – 2015)
  • Live Sound, Recording and Production (Alvaro Villagra – AES/Argentina – 2010)
  • Dynamic Processors I (Pablo Rabinovich – AEA/Arg/Bolivia – 2015)
  • Dynamic Processors II (Pablo Rabinovich – AEA/Arg/Bolivia – 2015)
  • Music Management and Production (Natalia Pizzuto – Centro Simon I. Patiño/Arg/Bol – 2013)
  • Economics for Art and Culture (Natalia Pizzuto – Centro Simon I. Patiño/Arg/Bol – 2012)
  • Production of Cultural Events (Natalia Pizzuto – CAINCO/Arg/Bol – 2011)
  • Audio Analysis Tools (Pablo Rabinovich – AEA – 2014)
  • Cultural Marketing (Natalia Pizzuto – Centro Simon I. Patiño/Arg/Bol – 2012)
  • Production and Recording (Miguel Zagorodny – AES Argentina – 2010)
  • IV National Encounter of the Audio Engineering Society (Argentina – 2010)